Moving Mountains
REMOTE LADAKH'S TIBETAN - INFLUENCED CULTURE CAN
NOW BE EXPERIENCED WITHOUT HARDSHIP, AS
TERESA LEVONIAN COLE DISCOVERS

we found Bakula Rimpoche in the apricot ochard, riding on the shoulders of a crimson-robed monk. He wore red tracksuit bottoms with a yellow T-shirt bearing the legend ‘Moviestar’, and clung to the monk’s ears with an air of rapt concentration. Siddhartha, my guide, prostrated himself. The child dismounted, saw our gifts of chocolate and orange juice, and clapped his hands in glee. Grinning widely, he grabbed the nearest bottle and swigged for all he was worth. ‘No, please, Rimpoche! Not like that, Rimpoche!’, pleaded the monk. The child, with a visible effort of will, composed his features as befitted his status, spat into the bottle, and thrust it into my hands. ‘Take it!’ hissed Siddhartha on seeing my expression. ‘It is prasad: it has been blessed!’

To the casual observer, Bakula Rimpoche is a fetching two-year-old endowed with a disconcertingly knowing look. Inside the little house, where he is tended by three monks, a large stuffed monkey hangs from a model aeroplane and a toy truck lies overturned alongside a row of tiny red shoes. But bedside photographs of the Dalai Lama, and of a sternlooking Rimpoche (‘precious one’), the child’s predecessor, suggest there is more than meets the eye. Indeed, to the Buddhist faithful, like my guide Siddhartha, this child is one of the most important gurus in the land, the 20th reincarnation of a disciple of Lord Buddha, and reincarnate head of the Spituk monastery in Leh, where he will take up residence next year. Meantime, his presence at this remote monastery in the Nubra Valley is unknown to all but a few.

An inside track to otherworldly experiences is something I have come to expect of travels with Shakti, a small-scale tour operation in the Himalayas,founded by Jamshyd Sethna, a Parsi businessman from Bombay. Having previously raved about Shakti’s 360° Leti as the closest I have come to heaven (four glass-and-drystone cottages on a remote bluff, surrounded by the Kumaon Himalayas, and furnished only with the most congruent luxuries), I went on to travel with them to Sikkim. There the idea was simple and novel – to travel the region staying in far-flung village houses that had been adapted to Western standards. The logistics boggle the mind. But the intricate choreography of the supporting corps of drivers, guides, cooks and staff proved as flawless as the experience was memorable. On learning that they were doing something similar in Ladakh I booked in as soon as possible.

Flying from Delhi to the capital, Leh, the clouds part to reveal the first, heart-stopping, indication of just how isolated this region is. Below, the serrated metamorphic mass of the Great Himalayas extends relentlessly in every direction with, here and there, some iconic peak soaring above the rest in ermine-white majesty. Concertinaed between these mountains and the mighty Karakorams to the north, lies Ladakh. The climate of this high altitude desert is as harsh as the landscape, from a burning summer sun to a biting -30°C that confines all supplies, families and livestock under a singleroof during the winter months. We touch down on the valley floor at the foot of Spituk Monastery, and park alongside a troop carrier and a MiG-29.

Spituk Monastery, and park alongside a troop carrier and a MiG-29. Ladakh opened to tourism in 1974. The playground of the Great Game between the imperial aspirations of Russia and Great Britain during the
19th century, it forms part of the Indian state of Jammu and Kashmir, but is close to both Pakistan and China. Yet within this sensitive, militarised zone, Ladakh contains India’s largest concentration of Buddhists: a smiling, peaceable people whose brand of Tibetan Lamaism tinged with Bon animism informs every aspect of local life and culture. Indeed, cosseted within this time warp of towering mountains, precipitous monasteries and idyllic rural villages undefiled by any hint of progress, one could easily imagine oneself in pre-1950s Tibet.

We drive to Stok, the first of Shakti’s three village houses: just half an hour from Leh, yet light years from civilisation. Here, surrounded by fields of shoulder-high corn, abundant orchards and a small vegetable garden, was home: an imposing traditional whitewashed mud-brick building, with ornately carved window frames and multi-coloured prayer flags fluttering in the wind. Rounded, white chortens – monuments containing holy relics – dot the fields, irrigated by channels of burbling meltwater and surrounded by bald mountains the colour and texture of elephant hide. Families work collectively, using primitive tools, sharing a donkey, a yak or a song. A woman scythes grasses for winter forage, carrying her bundle like a walking haystack, to dry on some neighbouring rooftop, alongside a carpet of apricots. It is a scene typical of the fertile valleys in which most villages lie scattered, claiming the meagre 17 per cent of Ladakh’s land that is cultivable.

With a ringside view of Stok Kangri’s shimmering peak – at 6,121m, the highest in the Zanskar Range, and the abode of the rare blue sheep – I breakfasted on the terrace: a feast of just-picked apricots, yoghurt from the cow, which serenaded me from below, eggs from the resident chickens, pomegranates, mountain honey, freshly milled porridge, local herb teas, and (hoorah!) Italian coffee, stylishly served in bowls of beaten metal. Clearly I was not going to be asked to survive on momos (local wontons) and salt tea.

As with the other Shakti houses in Taru and Nimmu, further along the Indus valley, the ground floor is occupied by the host family. They go smilingly about their daily routine uninhibited by our presence. The traditional wooden kitchen, candlelit for dinner on cold evenings, is lined with shelves of bronze and copper pots, reminiscent of a Dutch genre painting. The first floor has been converted and day beds have been set out on the flat roof, from which to contemplate impressionistic shifts of incandescent light. Mud floors are decked with slate, wood and Tibetan rugs, and bedrooms equipped with simple cedarwood furniture, traditional bukhari stoves, unstinting mattresses, fluffy duvets and crisp linens. Most impressively, en-suite bathrooms have been installed complete with showers. The hot water might be a tad capricious but it would be churlish to quibble.

 

‘I have always loved walking in the Himalayas,’ explains Sethna of the Shakti concept. ‘But travelling conditions were terrible: uncomfortable accommodation, awful food… So I decided to create a better alternative, without sacrificing the immediacy and authenticity of the experience.’ By encouraging interaction with villagers, moreover, he is introducing local communities to the practice of sustainable tourism. At Nimmu, 67-year-old Tashi Norbu shows me round his domain. Dressed in a long, sash-waisted mulberry gown and trendy trilby, he reminisces about his childhood: the corrupt feudal system that kept farmers in poverty during the 1950s, the invasion by Pakistan in 1948, and the arrival of the first aircraft, a military Dakota, that same year. Tashi is now village head man responsible for resolving disputes, medicine man, archery champion and all-important churpun, in charge of water distribution. ‘The village relies on a meltwater stream for drinking, bathing and irrigation,’ he explains, through my guide. ‘My job is to ensure everyone gets his fair share of water.’ To this end, he employs eight volunteers who, armed with rocks, daily patrol the stream, damming and unblocking irrigation channels to permit equitable flow to each section of the village. It is a low-tech system that has worked well for 800 years (rather like the polyandry that is still practised in this matriarchal society – but no-one speaks of that).

In a region whose base lies at 3,300m, acclimatisation is vital. ‘Saddhus come to Leh from the plains,’ warns Siddhartha, ‘and even their snakes get altitude sickness and refuse to perform.’ Starting gently, we visit Stok Palace, a dilapidated pile which has been home to the deposed royal family since 1843 – and where, should you wish, Siddhartha can swing an audience with the king. Three of the 80-odd rooms have been turned into a makeshift museum displaying, inter alia, 400-year-old thangkas (banners holding religious art) and royal headdresses studded with coral and turquoise. Though a far superior collection is found at Hemis Monastery, one exhibit held me transfixed: a sharp-edged, heavy steel sword that had been bent and knotted like a pretzel against the (unscathed) throat of a Tantric monk at Matho.

To approach the monasteries by floating down the gentle reaches of the Indus, its banks lined with omnipresent willow, poplar and sea-buckthorn, is the postcard-perfect introduction. Their setting, for one thing, is surreal. To our left, the brittle, granite outline of the Zanskar range; to our right, the softer flank of the sandy Ladakh range. As black-necked cranes fly overhead and a brahminy duck plunges beneath the raft, we are swept round a bend to a fairytale vision: Dragon’s Nose Monastery, teetering high atop a crag. Mystical Matho looms in the distance. We paddle on, beneath a bridge festooned in prayer flags, and an even more imposing sight hoves into view: the 12 levels and 10 temples of Thiksey, a 15th-century monastery, tumbling from a mountain in a frozen cascade of reds, ochres and whites.

We return to Thiksey the following morning at 5.30am. Despite the patronage of Hollywood types, this is one of Ladakh’s strictest monasteries, famed for its morning prayers. We ascend in the watery light of dawn, spinning prayer wheels as we go, and inhaling fragrant incense of juniper. Monks of all ages are scurrying to the prayer hall where, amid images of the Buddhist pantheon, a hypnotic chant is already in progress, punctuated by muted drums and sforzato blasts from shrill clarionets. But we have come to witness something else. On the rooftop, dominating the entire valley, two monks are taking up their positions between golden finials. They don the yellow hats of the Gelugpa order and, balancing 12-foot burnished copper horns, begin their mournful ode to daybreak. The lowing sound reverberates through the valley, bounces off the now-pink mountains, and echoes back at us. In the surrounding stillness, it is hauntingly beautiful.

More adventurous types can test their mettle rafting along the boiling waters of the icy Zanskar – though, in truth, the mountain roads are every bit as hair-raising as anything the river can offer. We drove along a ledge of the deep, serpentine Zanskar defile, prone to rockfalls and traversable only by chair pulley, to the enchanted village of Chilling, through which the prized pashmina goat roams free. Chilling is famed for its traditional metal-workers, and we followed the clink of an anvil chorus to an orchard, where father and son, using a forge fanned with goatskin bellows, were fashioning an ornate copper, silver and bronze teapot, commissioned for the Dalai Lama. You can have your very own, a snip at £1,100. Just remember to bring cash.

There were longer excursions, too, that took us up steep hairpin bends and over the Ladakh range towards disputed borders. On the way to Lake Pangong – a long finger of salt water at 4,267m that penetrates into China – we came across yaks and their nomadic Changpa herders who invited us to tea in their black yak-hair tents. We forded boulder-strewn river beds that turned into torrents by midday, then picnicked by the deserted lake, into whose tempting azure, crystalline waters the clouds and surrounding mountains plunged. To reach young Bakula Rimpoche in Nubra, we headed
towards Pakistan, scaled the Khardung Pass at a breathless 5,606m, erected prayer flags for protection against the treacherous roads, and descended into a landscape of awesome, barren drama. Broad, braided rivers and glaciated valleys, hanging scarps that threatened to fall like guillotines, rock-faces buckled to form lofty organ pipes, contorted striations of browns, greens and purples. Unexpected creamy sand dunes, surrounded by snowy peaks, come complete with a herd of shaggy, double-humped Bactrian camels. They come from Turkmenistan, their handsome, blue-eyed driver told me – a throwback to the days of the Silk Route.

Apart from a brief visit to Leh Bazaar – once an important trading post, now the haunt of backpackers, and repository of chunky Tibetan jewellery and Kashmiri shawls – I met not one single foreigner. For a week, I was lost in the magic of this vast, unspoilt, pre-lapsarian paradise, heartened by the friendly cheerfulness of the local people and cosseted by the ever-attentive Shakti staff. And then there was the blessing of a two-year-old guru! Such is the stuff of dreams.

                                                        MOUNTAIN HIGH

Shakti Ladakh’s Village Experience: seven nights from £2,126pp, inclusive of private guides, porterage, activities, meals and beverages. Shakti Ladakh’s 2010 season runs from 15 May to 30 September. Contact: info@shaktihimalaya.com or www.shaktihimalaya.com